{"id":519,"date":"2021-10-15T17:34:00","date_gmt":"2021-10-15T15:34:00","guid":{"rendered":"http:\/\/flinkwiesel.de\/?p=519"},"modified":"2023-11-19T13:52:20","modified_gmt":"2023-11-19T12:52:20","slug":"restworld","status":"publish","type":"post","link":"https:\/\/flinkwiesel.de\/en\/restworld\/","title":{"rendered":"RESTWORLD"},"content":{"rendered":"

Cowboys roam through an abandoned amusement park in the desert just outside Heidelberg: a leftover Wild West fantasy for gunslingers and recreational bandits. Where androids once lived out fantasies of longing, they now wonder what will remain when they can only talk about humans.
Based on motifs from the film \u00bbWestworld\u00ab by Michael Crichton (1973) and the television series of the same name (2016), the development of the play examines how science fiction narratives can negotiate possible futures today. And who actually distributes the roles in the Wild West?<\/p>\n\n\n\n

\u00bbRestworld\u00ab is the first work of the Frankfurt duo F. Wiesel at the Theater und Orchester Heidelberg and their second collaboration with the author and journalist Dietmar Dath. In F. Wiesel's works, figure and object theater as well as the use of analog film animation technology form a focal point.<\/p>\n\n\n\n

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\u00bb JU: We have already been here.<\/p>\n\n\n\n

HA: We have been here all the time. You argue that the only beings who can be role models for us, because they also program themselves, are humans. So we're supposed to play human in order to figure out where the similarities and the differences lie, and wether there may be something we could really do differently, new. And so on.<\/p>\n\n\n\n

LA: No just \"and so on\". Don't stand like that, stand up and let's go. Where were we? \u00ab<\/p>\nDietmar Dath. RESTWORLD<\/em><\/cite><\/blockquote>\n\n\n\n

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Photos: Susanne Reichhardt \/ Theater und Orchester Heidelberg<\/figcaption><\/figure>\n<\/div><\/div>\n\n\n\n

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